Choreography and direction by Arshak Galumyan - soloist and choreographer of the Berlin State Ballet Set and costume designer Salvatore Russo Assistant choreographer Krasina Pavlova - soloist of the Berlin State Ballet Assistant artistic director of the ballet Sylvia Tomova Rehearser - Ludovic Party
Ballet of State Opera-Stara Zagora
Don Quixote - Alexander Zhelev Kitri - Anelia Dimitrova Basil - Fiordi Loha Sancho Panza - Kalin Lyubenov Mercedes - Martina Prefetto Espada - Frederico Pinto Gamache - Stanko Tanev Gypsy - Francesco Boriello Gypsy - Romina Slavova Cupid - Tsao Yu Chen Mistress of the Dryads - Clara Pla Ferrer Couple of friends - Zornitsa Petrova, Eleni Marcu Couple of friends - Pasquale Caselli and Ivaylo Yanev Flamenco - Pasquale Caselli and Storm Norris
A complete set design has been prepared especially for the stage of the medieval fortress "Tsarevets", which will be transformed in the colours of Spain. A sumptuous spectacle created in the spirit of the great ballet tradition, carrying the pulse of the new times. The ballet Don Quixote is among the crowning achievements of classical dance. In the production of the Stara Zagora Opera, Arshak Galumyan, premier soloist of the Stärzbaallet-Berlin, brings choreographic freshness and original directorial interpretation, enriching the visual perception with many theatrical, even cinematic means of expression. The set and the magnificent costumes are designed by the Italian Salvatore Russo.
The entire multinational ballet troupe of the State Opera-Stara Zagora, which in recent creative seasons has marked an astonishing leap in its professional growth, takes part in the performance of the ballet Don Quixote. The achievements of the young troupe under the direction of prima ballerina and teacher Silvia Tomova are highly appreciated by professional critics, connoisseurs and spectators in all parts of Bulgaria. On 18 July, in the main roles of Kitri and Basil, the citizens of Turnov and guests of the Old Capital will have the opportunity to applaud the prima ballerina and winner of the Crystal Lyra for 2019, Anelia Dimitrova, and the charming soloist Fiordi Loha from Albania.
Marius Petipa had travelled extensively in various cities of Spain, had managed to capture the spirit and traditions of the dance folklore of that country and then translate them on stage in their variety and uniqueness. The great master created a colourful festive spectacle full of joy and gaiety and forever inscribed his ballet Don Quixote in the category of masterpieces of ballet classics.
Arshak Galumyan was born in Armenia. He completed his ballet training in Yerevan and at the Hamburg Ballet School. As a dancer, he was a prize-winner at the prestigious Lausanne Ballet Competition. He is a long-time soloist of the Staatsballet, Berlin. His repertoire includes performances by almost all of the world's choreographic colossuses such as John Neumeier, Jiří Kilian, William Forsythe, Nacho Duato, Jerome Robbins, Balanchine, Angeline Preyokay, Orchad Naharin, John CrankoJean Christophe Maillot and others. In recent years Arshak Galumyan has also worked as a choreographer. His choreography "M.U.S.A." was created for the Berlin Staatsballet in 2017.
https://www.youtube.com/watch?v=Z9igsSCSJ8M
"About the premiere of "Don Quixote" by the Stara Zagora Opera Ballet, one cannot tell. There are simply not enough superlatives. It has to be experienced. To fill the eyes and souls with beauty, color, joy and rapture, admiration for the talent of so many dedicated gifted artists who have come from all over the world to make high art. A bow and gratitude to the production team and all 50+ ballet dancers. To everyone behind the stage, backstage, in the studios and in the studios who created this brilliant production.
Salvatore Russo's brilliant costumes were sewn by the masters of the tailoring workshop, led by Maria Hristova. Let's mention just a few figures, just for the costumes that caught the eyes of the spectators: 147 costumes were specially made for the production of Don Quixote - 91 of them were women's costumes, and only 12 for the soloists. 10 costumes were made for the flamenco, 12 for the seguedilla, 16 for the Dryads in the Knight's Dream; 24 for the tutus and 7 for the court ladies and the Queen. 56 were men's costumes: 12 for the soloists , 10 for the flamenco, 12 for the seguedilla, 10 each for the toreadores and gypsies, 2 for the guitarists. 38 hats were made, 16 crowns, 12 tiaras. 1560 m. of cloth - silk, velvet, tulle, jersey, chiffon, etc. - were used to make the costumes, and 3300 m. went for fringes, gold embroidery, lace, shiriti, etc."
Emilia Zhunich - The iconic ballet "Don Quixote" and its celebrations in Stara Zagora in 2018
Bulgarian National Television (BNT2) film about the Stara Zagora Opera's production of Don Quixote
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